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We also discuss the troubles he and Jack Deveau encountered making the film in France, its groundbreaking all-Black orgy, and how this film is remarkably, the first international gay hardcore feature. What the film actually captures is something between a pas de deux and a folie à deux - is it a grand romance or it shared delusion? -played as a guessing game of seemingly endless film and cultural references.Īs an Ask Any Buddy first, we’ll be hearing from filmmaker Peter de Rome himself through interviews recorded during the production of the 2014 documentary, PETER DE ROME: GRANDFATHER OF GAY PORN. If you know the film, it’s probably for at least one of two reasons: that it was Peter de Rome’s first feature-length narrative film or that it technically includes Greta Garbo’s final screen appearance - yes, really. Up first is Peter de Rome’s 1974 romantic comedy, ADAM & YVES. There’s a lot to talk about with this one and over the course of the episode we’ll use several early screenplay drafts to trace the development of the film and its core themes, explore the way it (perhaps misleadingly) exploits the then-nascent Daddy phenomenon, and place it in context with the rest of Bressan’s filmography.īienvenue! This month on the podcast we’re going international by taking a look at two films shot and set in gay Paree. One of Bressan’s most ambitious explorations of fantasy, memory, and reality, DADDY DEAREST is a hidden gem waiting to be rediscovered and a fitting conclusion to a gay film trilogy unlike any other.
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The third and final film in Bressan’s self-described ‘personal/porno trilogy,’ DADDY DEAREST tells the story of Edward Thompson, a gay porn director with artistic aspirations who finds his personal life and private fantasies bleeding into the production of his latest film. Bressan, Jr.’s seminal PASSING STRANGERS and FORBIDDEN LETTERS by taking a look at his 1984 film, DADDY DEAREST. This week on the podcast, we’re celebrating the release of Altered Innocence’s new Blu-ray release of Arthur J.